![]() The kata should appear to an observer as flowing smoothly with the two kenshiĪ unique aspect to kendo kata is the use of kiai, or spirit-shout. Shidachi shouldn’t wait to long though, as Waits for uchidachi to move first before responding. Shidachi takes his cue from uchidachi and Provides the guidance and leads shidachi through the kata. Usually, uchidachi is sempai, or senior, while shidachi is kohai, or junior. The performing sword, is the defender who executes the demonstrative waza. The striking sword, is the aggressor who initiates the kata. Illustrate the fundamental principles, technical and philosophical, embodied in Not only are these kata an important link to past, they also serve to Of danger characterize these fascinating forms. Posture, swift decisive movement, precision timing and control and an element ![]() These kata are conducted in a formal context Kendo as it reflects the essence of classical kendo. In 1928, the Zen Nihon Kendo Remmei wasįormed and accepted this kata, which was renamed Nihon Kendo Kata and remains as required study for advancement in Kendo Kata, the Great Imperial Japan Kendo Kata consisting of seven odachi, long sword, and three kodachi, short sword, techniques. In 1912, the Butokukai announced a new kata called the Dai Nihon Teikoku Official Kenjustsu no Kata was introduced. ![]() Japan Martial Virtue Society, was founded to encourage kenjutsu and other In 1895, the Dai Nihon Butokukai, the All Keishicho Ryugenkiken Kata developed in 1887 for the Japanese Policeĭrawn from 10 of the most prominent ryu.
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